Scroll to bottom for video of part 1
As I mentioned in part one, time and promotion are reasons I’m considering pursuing a traditional publisher. I’ll start with time. There are many writers who work full-time and then write in what little spare time remains. I count myself lucky that I consider being a writer, speaker, and coach my full-time work. Even with that, the time to write is impeded on because of all those things mentioned above – remember the re-writing, editing, re-editing, beta-reading, etcetera.
This is where I think a traditional publisher has the edge. That mess takes time. A heck of a lot of time. Time I could use writing another book or first re-write of maybe the other 3 books that are written in my Chosen series. Yeah. The whole dang series is written but at the pace I can read, re-write, edit, and do it again, it may be a couple of years to get it done. Daunting! Oh, but you say, you can just pay for someone to do this. Yeah, you can…try…and I have…
It’s quite possible I’m not going about it the right way, but finding a good editor has been a challenge. Especially one that the ROI is going to be worth it. I hate to say it, but a lot of them aren’t that great. I look at the reviews of their books on Amazon and see comments that indicate poor editing (like literally there will be reviews that say ‘poorly edited’). So, I’m like WTH? But editing is crucial because the lack of good editing will get you rocked in reviews.
The truth is, this is a hit and miss game when it comes to finding freelancers who edit, beta-read, do covers and the other things helpful in getting your book ready for the market. I learned this the hard way with book one. It was a gut punch and after having to pull it back TWICE from Amazon to make corrections based on solid feedback, not only is the book stronger, but so is my writing. A publishing house probably would’ve caught the things everyone else missed the first go round. They would’ve saved me from the egg on my face, the agony of going through 100,000 words to bring it to a tighter book of just under 90,000 words.
That time is money and that energy is my creative process. It goes both ways. You have a book that is an amazing story for right now. You have a book that you want to see out in the next six months not next two years. They can save you from personally agonizing over fine-combing a lengthy manuscript. The energy they save you can be used in the creative process not the editing process. These savings of your personal labor for this part of the process, still carries a cost. The question you need to ask yourself is whether it is worth that cost.
Do you have a budget to personally pay for the services or the personal skills needed to bring your book to life by way of editing, book cover design, formatting? What’s your experience been in doing this yourself or having others do it for you?
To be continued with part three on March 24th.